Photojournalist Sibylle Mallmann’s Only The Longing Remains (Nur die Sehnsucht bleibt in German) grapples with female identity via black-and-white portraits of German women in the late 1970s and early 1980s. With a philosophical preface on the nature of photography written by screenwriter Wolfgang Limmer, the book’s staged portraits find women in various states; dressed up, dressed down, at work, at home, surrounded by family, or standing alone.